MFA Alumni Publications

“A rare feat for any book of poems, let alone a debut, in that the lines, wrought with such deft precision and care, mark the sum total of a life richly lived and felt at the seat of poetry...These poems care, first and foremost, for what they write of and through, which is a much needed—yet increasingly rare—achievement.” -- Ocean Vuong

Engaging the matriarchal structure of the beehive, Amanda Moore explores the various roles a woman plays in the family, the home, and the world at large. Beyond the productivity and excess, the sweetness and sting, Requeening brings together poems of motherhood and daughterhood, an evolving relationship of care and tending, responsibility and joy, dependence and deep love.

The poems that anchor this collection don’t shy away from the inevitability of a hive’s collapse and consider the succession of “requeening” a hive as “a new heart ready to be fed and broken and fed again.” The collapse is both physical—there are poems of illness and recovery—and emotional, as the mother-daughter relationship shifts, the daughter becoming separate, whole, and poised to displace. The liminal spaces these poems traverse in human relationships is echoed in a range of poetic and hybrid form, offering freedom and stricture as they contemplate the way we hold one another in love and grief.

Requeening is a vivid and surprising collection of poems from a winner of the National Poetry Series Open Competition. 

A Boston Globe Book We’re Most Excited About This Summer • An Electric Lit Queer Books You Need to Read this Summer • A Town & Country’s Best Book to Read This July • A Debutiful Noteworthy Debut of July • LitHub’s Most Anticipated Books of 2024

A gripping, provocative, and sensual debut novel about an art historian who journeys to a Greek island in pursuit of a found sculpture and quickly finds herself immersed in a cultural tug-of-war and a complicated love affair.

1999: An island off the southern coast of Greece. Art historian Elizabeth Clarke arrives with the intent to acquire a rare female sculpture. But what begins as a quest for a highly valued cultural artifact evolves into a trip that will force Elizabeth to contend with her career, her ambition, and her troubling history.

Disoriented by jet lag, debilitating migraines, and a dependence on prescription pills, Elizabeth turns to her charming and guileless translator to guide her around the labyrinthine island. Soon, the island’s lushness—its heat and light, its textures and tastes—take hold of Elizabeth. And when she’s introduced to her translator’s inscrutable wife—a subversive artist whose work seeks to deconstruct the female form—she becomes unexpectedly enthralled by her. But once the nude’s acquisition proves to be riskier than Elizabeth could have ever imagined, Elizabeth’s and the statue’s fate are called into question. To find a way out, Elizabeth must grapple with her past, the role she’s played in the global art trade, and the ethical fallouts her decisions could leave behind.

The Nude is an evocative and intense exploration of art, cultural theft, and what it means to be a woman helming morally complicated negotiations in a male-directed world.

LONGLISTED FOR THE 2024 CAROL SHIELDS PRIZE FOR FICTION, BROOKLYN PUBLIC LIBRARY BOOK PRIZE, AND THE NEW AMERICAN VOICES AWARD • A BOOKLIST BEST BOOK OF 2023 • Set in the Arab immigrant enclave of Bay Ridge, Brooklyn, following three siblings coming of age over the course of one Ramadan, 

“a moving look at family, survival, and celebration” (Hanif Abdurraqib, author of A Little Devil in America). 

“A gorgeously written and profoundly intimate debut.” —Etaf Rum, author of New York Times bestseller A Woman Is No Man 

It’s the holy month of Ramadan, and twin sisters Amira and Lina are about to graduate high school in Bay Ridge, Brooklyn. On the precipice of adulthood, they plan to embark on a summer of teenage revelry, trying on new identities and testing the limits of what they can get away with while still under their parents’ roof. But the twins’ expectations of a summer of freedom collide with their older brother’s return from prison, whose mysterious behavior threatens to undo the delicate family balance. 

Meanwhile, outside the family’s apartment, a storm is brewing in Bay Ridge. A raid on a local business sparks a protest that brings the Arab community together, and a senseless act of violence threatens to tear them apart. Everyone’s motives are called into question as an alarming sense of disquiet pervades the neighborhood. With everything spiraling out of control, how will Amira and Lina know who they can trust? 

A gorgeously written, intimate family story and a polyphonic portrait of life under the specter of Islamophobia, Between Two Moons challenges the reader to interrogate their own assumptions, asking questions of allegiance to faith, family, and community, and what it means to be a young Muslim in America.

“A touching, inventive novel about belonging and loss” (People) from the critically beloved, New York Times bestselling author of The Tiger’s Wife and Inland 

“I marveled at the subtle beauty and precision of Obreht’s prose. . . Read in the context of today’s conflicts and injustices, climate emergencies, and political and racial divisions—together more dystopian than any dystopian novel—the book surprised me most with its undercurrent of hope.”—Jessamine Chan, author of The School for Good Mothers, in The New York Times (Editors’ Choice) 

A LIT HUB AND CHICAGO PUBLIC LIBRARY BEST BOOK OF THE YEAR 

There’s the world you can see. And then there’s the one you can’t. Welcome to the Morningside. 

After being expelled from their ancestral home in a not-so-distant future, Silvia and her mother finally settle at the Morningside, a crumbling luxury tower in a place called Island City where Silvia’s aunt Ena serves as the superintendent. Silvia feels unmoored in her new life because her mother has been so diligently secretive about their family’s past, and because the once-vibrant city where she lives is now half-underwater. Silvia knows almost nothing about the place where she was born and spent her early years, nor does she fully understand why she and her mother had to leave. But in Ena there is an opening: a person willing to give the young girl glimpses into the folktales of her demolished homeland, a place of natural beauty and communal spirit that is lacking in Silvia’s lonely and impoverished reality. 

Enchanted by Ena’s stories, Silvia begins seeing the world with magical possibilities and becomes obsessed with the mysterious older woman who lives in the penthouse of the Morningside. Bezi Duras is an enigma to everyone in the building: She has her own elevator entrance and leaves only to go out at night and walk her three massive hounds, often not returning until the early morning. Silvia’s mission to unravel the truth about this woman’s life, and her own haunted past, may end up costing her everything. 

Startling, inventive, and profoundly moving, The Morningside is a novel about the stories we tell—and the stories we refuse to tell—to make sense of where we came from and who we hope we might become.

"A breathtaking debut . . . filled with ghosts and demons who lurk in the Canadian north woods." —Andrew Abrahams, People

On the eve of his mother’s death, Stephen comes home to Sawgamet, a logging town where the dangers of working in the cuts are overshadowed by the dark mysteries and magic lurking in the woods. Thirty years after the mythical summer his grandfather returned to town on a quixotic search for his dead wife, Stephen confronts the painful losses in his own life.

Shortlisted for the 2011 Governor General's Literary Award • Shortlisted for The 2011 Center for Fiction's Flahery-Dunnan First Novel Prize • Shortlisted for the 2012 VCU Cabell First Novelist Award • Shortlisted for the 2011 Amazon.ca First Novel Award • Longlisted for the 2011 Scotiabank Giller Prize • Longlisted for the 2013 International IMPAC Dublin Literary Award • Starred Review Publishers Weekly • Starred Review Quill & Quire
 

Maybe it’s the end of the world, but not for Candace Chen, a millennial, first-generation American and office drone meandering her way into adulthood in Ling Ma’s offbeat, wryly funny, apocalyptic satire, Severance.

"A stunning, audacious book with a fresh take on both office politics and what the apocalypse might bring." —Michael Schaub, NPR.org

“A satirical spin on the end times-- kind of like The Office meets The Leftovers.” --Estelle Tang, Elle

NAMED A BEST BOOK OF THE YEAR BY: NPR * The New Yorker ("Books We Loved") * Elle * Marie Claire * Amazon Editors * The Paris Review (Staff Favorites) * Refinery29 * Bustle * Buzzfeed * BookPage * Bookish * Mental Floss * Chicago Review of Books * HuffPost * Electric Literature * A.V. Club * Jezebel * Vulture * Literary Hub * Flavorwire

Winner of the NYPL Young Lions Fiction Award * Winner of the Kirkus Prize for Fiction * Winner of the VCU Cabell First Novelist Award * Finalist for the PEN/Hemingway Award for Debut Novel * A New York Times Notable Book of 2018 * An Indie Next Selection

Candace Chen, a millennial drone self-sequestered in a Manhattan office tower, is devoted to routine. With the recent passing of her Chinese immigrant parents, she’s had her fill of uncertainty. She’s content just to carry on: She goes to work, troubleshoots the teen-targeted Gemstone Bible, watches movies in a Greenpoint basement with her boyfriend.

So Candace barely notices when a plague of biblical proportions sweeps New York. Then Shen Fever spreads. Families flee. Companies cease operations. The subways screech to a halt. Her bosses enlist her as part of a dwindling skeleton crew with a big end-date payoff. Soon entirely alone, still unfevered, she photographs the eerie, abandoned city as the anonymous blogger NY Ghost.

Candace won’t be able to make it on her own forever, though. Enter a group of survivors, led by the power-hungry IT tech Bob. They’re traveling to a place called the Facility, where, Bob promises, they will have everything they need to start society anew. But Candace is carrying a secret she knows Bob will exploit. Should she escape from her rescuers?

A send-up and takedown of the rituals, routines, and missed opportunities of contemporary life, Ling Ma’s Severance is a moving family story, a quirky coming-of-adulthood tale, and a hilarious, deadpan satire. Most important, it’s a heartfelt tribute to the connections that drive us to do more than survive.

A National Indie Bestseller
Winner of the National Book Critics Circle Award, the Story Prize, and a Windham-Campbell Literature Prize
A Best Book of the Year at The New York Times, The New Yorker, Vogue, Houston Chronicle, Roxane Gay’s The Audacity, Mashable, Polygon, Kirkus Reviews, and Library Journal
A New York Times Book Review Editor’s Choice

“Uncanny and haunting . . . Genius.” —Michele Filgate, The Washington Post
“Dazzling.” —Maureen Corrigan, NPR’s Fresh Air

What happens when fantasy tears the screen of the everyday to wake us up? Could that waking be our end?

In Bliss Montage, Ling Ma brings us eight wildly different tales of people making their way through the madness and reality of our collective delusions: love and loneliness, connection and possession, friendship, motherhood, the idea of home. A woman lives in a house with all her ex-boyfriends. A toxic friendship grows up around a drug that makes you invisible. An ancient ritual might heal you of anything—if you bury yourself alive.

These and other scenarios investigate the ways that the outlandish and the ordinary are shockingly, deceptively, heartbreakingly alike.

Winner of the 2011 Madeleine P. Plonsker Emerging Writer's Residency Prize

Jose Perez Beduya’s first book Throng takes us "inside the bright wheel" where selfhood and community whirl along the event horizon of an elusive center—the fused question of the Singular and the Common. Jennifer Moxley, who selected Beduya as the winner of the 2011 Plonsker Emerging Writers Residency, writes that in this book "a shimmering subjectivity—sometimes singular, more often plural—emits an intermittent signal, coming in and out of view like some mysterious lost ‘other’ flashing a pocket mirror against the sun in hope of rescue."

In spare lyrics, evocative of what George Oppen called "the bright light of shipwreck," Beduya searches not just for the meaning of being numerous but how to sustain that numerousness, with "No trace showing / The quickest way back / No light caught / In the hair of the void." The poems are fierce, tensile, and assured, but also display a heartbreaking vulnerability: "Who belongs / To this wounded face / How do we / Extinguish our hands / In prayer." The ethics of beauty in the face of violence contend with and haunt the forms of political desire in this marvelous and unexpected debut.

Finalist: 2013 Miller Williams Poetry Prize

In her first book, Chord Box, Elizabeth Lindsey Rogers envisions a world where each place is best known by its sound. Weaving complex junctions between music, speech, the body, and sexuality, these poems trace the arc of adolescence and early adulthood, rooting themselves in gritty landscapes of the South and Appalachia, China and its borderlands. Part narrative and part lyric, Rogers’s poems make use of the whole field of the page, assembling an innovative poetic vocabulary that includes word, character, and symbol. By calling on figures from the recent as well as the distant past, this coming-of-age collection asks us to consider history, both personal and political. Whether struggling to make vibrato on the guitar or stringing together her first sentences in Mandarin, the speaker of these poems assumes the role of the eager student, edging her way toward an understanding with both fierceness and a sense of humility. Chord Box is exquisitely crafted and rich with feeling, a dazzling debut collection.

In this debut collection, Anne Marie Rooney subverts traditional forms into strange and sexy new shapes. With poems as scary as they are seductive, Rooney reveals the domestic to be a rich, dirty burlesque: two princesses fall in love; fetish is explored through the shackles of sestina; a poet indexes, in stops and starts, her own obsessions.